The annual Sally Mitchell Prize recognizes the best paper presented by a graduate student at the annual NAVSA conference. All graduate students presenting a paper at the 2018 conference are invited to submit their papers for consideration. Papers must be received as electronic files (MS Word format preferred) by Sunday, October 27, 2019. To be eligible, you must be a graduate student at the time of your presentation.
Because the contest honors the paper as it was given at the conference, please keep your essays to under 12 pages, inclusive of notes and works cited. (Handouts and slides or other images may be included as an appendix, if these were given at the conference.)
Please submit an electronic version of your essay as a single attachment to an email that contains the following information
- your name
- affiliation (rank and dissertation director, if applicable)
- title of the paper
- snail mail and email address
Send the submission by email to Pamela K. Gilbert email@example.com.
The winning paper will be selected based on the following criteria: 1) potential significance for Victorian studies; 2) quality and depth of scholarly research and interpretation; and 3) clarity and effectiveness of presentation. The judges will choose one essay for the award and may also choose two honorary runners-up. The prize winner will receive $250 and a year's free NAVSA membership (including a subscription to Victorian Studies). If the judges are deadlocked, the final decision will be made by the NAVSA Executive Committee.
winner: Imogen Forbes-Macphail, U of California, Berekeley, “Time, Space, and Ekphrasis”
winner: Erica Kalnay, U of Wisconsin, Madison, “Beatrix Potter’s Mycological Aesthetics”
winner: Noa Reich, U of Toronto, “Speculation, Mortmain, and the Subjects of Middlemarch”
winner: Rebecca Jayne Hildebrand, Columbia U, “Middlemarch's Medium: Description, Sympathy, and Realism's Ambient Worlds”
winner: Christie Allen, U of Michigan, “Mysterious and Marvellous: Classification of Victorian Fiction in Mudie’s Catalogue”
co-winner: Anna Gibson, Duke U, “Sensation, Science, and (Un)predictable People”
co-winner: Jessie Reeder, U of Wisconsin, Madison, “Trollope, Mexico, and the Narratives of National Finance”
co-winner: Naomi Levine, Rutgers U, “Arthur Hallam and the Origin of Rhyme”
co-winner: John MacNeill Miller, Rutgers U, “Humanizing the Social Network in George Eliot and G. H. Lewes”
winner: James Emmott, Birkbeck College, U London, “‘You Can Turn Her On as Often as You Like’: Performing Phonographic Physiology”
hon. mention: Anna M. Gibson, Duke U, “Bodies Acting Out: Physiology, Narrative, and the Sensation Novel”
hon. mention: Ryan Fong, U California, Davis, “Oliver Twisted, or Performance and the Parish Boy’s Visual Progress”
winner: Naomi Levine, Rutgers U, "Trebled Beauty: William Morris's Terza Rima"
hon. mention: David Sweeney Coombs, Cornell U, "Beautiful Graffiti: Vernon Lee and the Semiotics of Perception"
hon. mention: Catherine Cronquist Browning, U of California, Berkeley, "Shrinking Bodies, Expanding Scopes: Omniscience in the Victorian Child Fantasy Novel"
winner: Henry Cowles, Princeton U, "A Victorian Extinction: The Great Auk, Alfred Newton, and Early Wildlife Protection"
hon. mention: Renée Fox, Princeton U, "Necromantic Browning"
winner: Richard Bonfiglio, U of Chicago, "Portable Passions: Eliot, Culture, and the Cultivation of Locality"
hon. mention: Nathan K. Hensley, Duke U, "Form and Excess, Morant Bay and Swinburne"
hon. mention: Nathaniel Stein, Brown U, "Manly Failings: Representation, Corporeality, and Failure in Queen Victoria's First Visit to Her Wounded Soldiers"
winner: Paul Fyfe, U of Virginia, "Accidents of a Novel Trade: Insurance, Industrial Catastrophe, and Mary Barton"
hon. mention: Maeve Adams, New York U, "Commendable Objects: Marginal Utility, Financial Realism, and the Novel in 1870s England"
hon. mention: Jesse Rosenthal, Columbia U, "Gamblers' Fallacies: Materialism, Realism, and Daniel Deronda at Play"
winner: Jason Lindquist, Indiana U, "On 'Imagination' and the Rise of a Victorian Aesthetics of Complexity"
hon. mention: Melissa McLeod, Georgia SU, "Acoustic Science and Racial Identity inDaniel Deronda"
hon. mention: Lisa M. Smith, U of Toronto, "Dorothea Through the Pier-Glass"
winner: David Kurnick, Columbia U, "Empty Houses"
hon. mention: Lisa Brocklebank, Brown U, "Psychic Reading"
hon. mention: Nathan Hensley, Duke U, "'Sir Richard Burton,' Orientalist"
winner: Heather Morton, U of Virginia, "Swinburne and Wilde on Whitman"
hon. mention: Sarah Rose Cole, Columbia U, "The Temple"
hon. mention: Kathleen O'Neill Sims, U of Virginia, "'Old Gardens,' 'Fresh Flowers'"